THE WITCH PART 1. THE SUBVERSION REVIEW MOVIE

Despite that, the movie is still enjoyable, especially if you’re a fan of films like Train to Busan or The Raid, as the fight choreography is top notch. This doesn’t excuse the dragging-on feeling of a villain explaining their whole plan over several long minutes it skews silly when the subject matter is dark and meant to be taken seriously. Prepare yourself for a lot of “villain explaining their convoluted evil plan” type scenes, albeit paired with interesting backstory footage. THE WITCH: PART 1- THE SUBVERSION has a few flaws like this that are unavoidable. It isn’t made clear why exactly they want to kill her-main villain Nobleman drags out the fairly obvious “do you know who I am yet?” act for a painfully long time without ever giving a reason why he and the others want Ja-yoon dead. Superman type of showdown, Ja-yoon fights other kids who also escaped the torture lab who are equally powerful. Watching her shift from innocent and helpless to badass murderer is just delightful. She breaks her wrist at one point and sets it herself, her bones cracking, without so much as batting an eye. Her other powers include being incredibly fast, and wicked dangerous with a knife, her bare hands, or any kind of weapon. While she only makes a microphone levitate on the show, she later uses her telekinesis fight her enemies from the torture laboratory. Ja-yoon has telekinetic abilities, which she performs on television for the world to see, even though fame puts her in danger. She doesn’t want to be a hero at all- Ja-yoon tries in vain to maintain her calm, normal life.įor as well as we think we know our protagonist for most of the movie, the third act proves us wrong. And besides the weapons she pilfers in desperation, she doesn’t own any guns, knives, or high-tech weapons. She doesn’t have a cool costume, opting for baggy sweatpants or her school uniform.

Unlike the glamorous, tailor-made costuming of Gal Gadot’s Wonder Woman or Jennifer Lawrence’s scrappy-chic aesthetic in The Hunger Games, Ja-yoon does not dress in a traditionally feminine manner. Comfortable with her own style, Ja-yoon has no interest in dating or impressing anyone.

Her look is androgynous, and her family and friends don’t let her forget that she should be trying harder to look feminine to attract men. She is spindly, pale and rarely wears makeup. Her bulging eyes and blank facial expressions telegraph that she is frail, weak, and mild, only to release huge storms of violence à la The Raid when underestimated by her enemies. Ja-yoon does not fit either the typical superhero or super villain look. She dotes on her mother who is suffering from Alzheimer’s disease, she worries about her father’s health, she encourages Myung-hee’s impulses and allows her to push her boundaries. Ja-yoon excels at everything, but is also shy and tries to deflect attention to those around her.

THE WITCH PART 1. THE SUBVERSION REVIEW TV

Myung-hee talks Ja-yoon into going on popular TV talent show to showcase her singing (and some other mysterious talents that remain hidden for a large part of the film). She relies on her best friend/sister figure Myung-hee (Go Min-si), a bouncy, silly sidekick who complements her solemn friend. With the family farm going bankrupt and both parents dealing with serious health issues, Ja-yoon is under pressure. She lives an ordinary life until she is 19. Ja-yoon’s story begins when she escapes from a secret torture laboratory at age 8 and is adopted by an older couple who nurse her back to health. The first of three films, Ja-yoon’s captivating origin story delivers a heroine in the making. In lead Kim Da-mi’s second acting role, she slips effortlessly into the character of Ja-yoon, a young woman who escaped childhood imprisonment that gave her extraordinary powers. THE WITCH: PART 1- THE SUBVERSION is a charming Korean young adult thriller starring a superhero unlike any other.

The witch part 1. the subversion review